Aurelie Nemours
“Aurelie Nemours’ collages are a surprise. Visual. Plastic. Poetic. For those who are used to, a little distractedly, to the artist’s geometric works of line – horizontal, vertical – and point, to her black and white as rigorous as they are sensual, to her vibrant flat tints of monochrome colours, to the deep, velvety void of a repeated infinity that she unfolds from series to series, her collages from 1965 and 1968, produced at the request of Imre Pan for the editions he tirelessly designed, interwoven, rhizomatic, fragmented, and whose titles he constantly repeated (Signe, Signe Morphèmes, Signe L’art du dessin, L’estampe moderne, Morphèmes, Mini-Musée, Préverbes… ), prove, upon discovery, to be sets of a singular unity and, above all, a fruitful step aside for the artist. “
Marjorie Miccuci